Production & Post
Inside The Peaky Blinders: The Immortal Man grade
Senior colourist Simone Grattarola discusses developing the look of the film in prep, working in DaVinci Resolve Studio, and the grading and finishing decisions...
Dirty Looks
People
Jack Jones appointed as head of imaging and technical solutions at Dirty Looks
Jones will lead on colour science, workflow automation and deep IT integration, as well as supporting the company's power management system transition to full...
Sustainability
Post production house Dirty Looks render heat helps power public swimming pool
"Rendering films in data centres that re-capture heat presents a huge opportunity for our sector to benefit the communities we are part of." said...
Production & Post
How Dirty Looks helped develop the atmosphere of The Zone of Interest
The UK-based post production house worked closely with director Jonathan Glazer on the grade of the BAFTA and Oscar-nominated film