Live Production
Camera test chart company DSC Labs to shut down
In a letter posted on the company website, Susan Corley said DSC will continue to accept orders until the end of October and cease...
colour
Production & Post
‘Colour is an equal tool alongside lighting, composition and movement’ says Joker: Folie à Deux cinematographer
Chair of this year's FilmLight Colour Awards Lawrence Sher talks about his working relationship with colour and colourists
Production & Post
Creating three-dimensional images for La Última
Colourist Raúl Lavado explains how he created emotions with colour for Spain's first original Disney Plus series
Production & Post
Sony aims to improve pre-production and on-set workflows with new Virtual Production Tool Set
Tool set aims to improve performance and help solve common virtual production challenges such as colour matching and moiré to enhance in-camera visual effects
Production & Post
Blackmagic Design helps student filmmaker tackle men’s mental health
From the Edge of the Clouds was shot in 1080p using Blackmagic RAW and edited and graded with DaVinci Resolve
Production & Post
‘It’s time colourists were brought into the limelight’
TVBEurope hears from some of the judges at this year's FilmLight Colour Awards, which celebrate the work of colourists on TV and film productions
Production & Post
How colour helped tell the story of the Peaky Blinders
Post production house Company 3 reveals how colour played a huge role in the look of the award-winning series
Production & Post
‘The colourist is the bridge between camera technology and post production’
Annual awards celebrate the best in colour grading across film, TV, commercials and music videos
Media Delivery
Ultra HD Forum updates guidelines to include NDI, SRT, colour accuracy and video over IP
The Ultra HD Forum Guidelines aim to provide recommendations and procedures that promote uniformity of product, interchangeability and "ultimately the long-term reliability of audio/video...
Production & Post
Celebrating the people who colour our world
Wolfgang Lempp, CEO of FilmLight, explains the driving force and inspiration behind the launch of the new FilmLight Colour Awards 2021
Production & Post
Technicolor recreates Victorian London for Vanity Fair
Company provided various post production processes for ITV's new adaptation
Production & Post
Gone Girl has gone 6K
Light Iron has used Quantel’s Pablo Rio colour and finishing system to complete the world’s first 6K feature post production on David Fincher’s Gone...
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