‘Colour is an equal tool alongside lighting, composition and movement’ says Joker: Folie à Deux cinematographer
Chair of this year's FilmLight Colour Awards Lawrence Sher talks about his working relationship with colour and colourists
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Chair of this year's FilmLight Colour Awards Lawrence Sher talks about his working relationship with colour and colourists
Colourist Raúl Lavado explains how he created emotions with colour for Spain's first original Disney Plus series
Tool set aims to improve performance and help solve common virtual production challenges such as colour matching and moiré to enhance in-camera visual effects
From the Edge of the Clouds was shot in 1080p using Blackmagic RAW and edited and graded with DaVinci Resolve
TVBEurope hears from some of the judges at this year's FilmLight Colour Awards, which celebrate the work of colourists on TV and film productions
Post production house Company 3 reveals how colour played a huge role in the look of the award-winning series
Annual awards celebrate the best in colour grading across film, TV, commercials and music videos
The Ultra HD Forum Guidelines aim to provide recommendations and procedures that promote uniformity of product, interchangeability and "ultimately the long-term reliability of audio/video...
Wolfgang Lempp, CEO of FilmLight, explains the driving force and inspiration behind the launch of the new FilmLight Colour Awards 2021
Company provided various post production processes for ITV's new adaptation
Light Iron has used Quantel’s Pablo Rio colour and finishing system to complete the world’s first 6K feature post production on David Fincher’s Gone...
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