Sustainability and the Finnish TV and film industry
From battery-powered equipment failing on Arctic shoots, to product durability, TVBEurope hears from three members of Audiovisual Producers Finland (APFI) about how technology vendors...
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From battery-powered equipment failing on Arctic shoots, to product durability, TVBEurope hears from three members of Audiovisual Producers Finland (APFI) about how technology vendors...
The transformations are part of the company's commitment to provide filmmakers globally with first-in-class technology
Carys Taylor, director of albert, writes for TVBEurope about how technology combined with wise planning and cooperative effort could help solve the media industry's...
The initial release targets the use of traditional VFX as a step toward future releases that will cover camera and lens metadata for on-set...
TVBEurope hears from Missing editors Austin Keeling and Arielle Zakowski to find out how they worked with Adobe Premiere Pro, After Effects, and Frame.io...
The State Funeral of HM Queen Elizabeth II won two BAFTA Awards for Sound: Factual and Director: Multi-Camera
The company has released the URSA Mini Pro 12K with an optical low pass filter, with the 12K now on Netflix’s list of approved...
Grass Valley has announced new hardware and software tools to enhance the GV Media Universe
According to the company, Premiere Pro is the only professional editing software to incorporate text-based editing as it aims to make video editing as...
Phase one includes a production space with attached offices, while phase two will see the build and fit-out of a 2,600sq ft primary soundstage,...
Tool set aims to improve performance and help solve common virtual production challenges such as colour matching and moiré to enhance in-camera visual effects
The 37 postcards feature 111 different locations, with local production crews used where possible
The two companies are developing a custom AI technology based on real-time markerless motion capture software, Invisible
According to Canon, the CN-E14-35mm T1.7 L S / SP and CN-E31.5-95mm T1.7 L S / SP are the fastest Super 35mm lenses on...
New branch members include chief technology officers, senior department heads in technology and creative services, colourists and preservation and restoration specialists
Universal Pixels' Dan Edmonds talks to TVBEurope about the company's work on major dramas including The Man Who Fell to Earth and Better, and...
The facility is powered by Unreal Engine 5, with 3D environments displayed on 800m2 of fully modular LED volumes in real-time
The Avid NEXIS | F2 Sold State Drive can be used with 4K, 8K and HDR content, with capacity to scale from 38.4TB to 307.2TB...
ARRI Solutions designs, engineers, builds, and operates virtual production environments of all sizes
Atomos has launched its cloud-based control room, Atomos Studio, which makes "live video production and remote collaboration affordable, accessible and easy", the company said
Vizrt’s Viz Engine 5 and GhostFrame will "bring unprecedented multi-angle virtual graphics and video wall control to the show floor"
The studio will be led by Milk VFX supervisor and Dublin native, Ciaran Crowley
Bad Sisters, The English, The Essex Serpent, and This is Going to Hurt lead the nominations
Agreement also coincides with Jigsaw24 Media’s first pixitmedia integration project, for London-based facility Fifty Fifty
Cinematographer Ksenia Sereda explains why she chose to use the lenses on the hit HBO series
ITV will continue to embed sustainability criteria into its selection processes and contracts in order to ensure it works with suppliers that align to the...
Among the technology used by creatives were the company's digital film cameras, DaVinci Resolve editing, grading, visual effects (VFX) and audio post production software
Owners Stage Fifty say they also plan to build live broadcast sound stages for homebound unscripted television
The new 7750 ssq ft stage features a 26 x 4.5m ROE BPV2 semicircular volume at Garden Studio’s Park Royal studio complex
Content from BBC Cymru Wales, ITV Cymru Wales and S4C has been digitised for the archive
The award "recognises someone who consistently goes above and beyond the expectations of the role and shows a genuine curiosity and passion for post...
All three models can be mounted in an equipment room and accessed via KVM or WebRTC network connectivity, making them available for live and remote...
ELMNTL includes suites for colour grading, VFX and CG/motion graphics, with multiple support stations for production planning, ingest, QC and delivery
CUBE Studio includes a 10.5x5.5m LED volume, crafted with Unilumin Upad IV LED panels, which feature HDR image quality
Outside broadcast specialist Riverside Television has chosen Calrec Brio 36 for its 'bigger outside broadcast' (BOB) truck
The company's technology was used on Best Picture winner Everything Everywhere All at Once, as well as Black Panther: Wakanda Forever and Top Gun:...
Editor Sven Budelmann discusses his work on the Oscar-nominated drama, and how his close collaboration with director Edward Berger led to creating a film...
Instead of using a traditional low loader, the Universal Pixels team built an enclosed box, which was driven by disguise GX2c media servers
The New York-based centre will feature two 3,500-square-foot double-height, column-free stages, two 1,800-square-foot television studios, as well as state-of-the-art broadcast and control rooms
MediaConvert can generate Dolby Vision dynamic metadata for on-the-fly jobs to convert non-Dolby Vision HDR content into Dolby Vision
LucidLink Filespaces has facilitated collaboration and workflows on the likes of the BBC's The Boy, the Mole, the Fox, and the Horse, and Hulu/Disney...
Company is staging a free exhibition of images shot by members of illuminate, a society of UK-based female cinematographers