Production & Post
Maxon unifies creative process with upgraded ecosystem
Integrating Cinema 4D, ZBrush, Redshift, and Red Giant in its redesign, Maxon One aims to expand capabilities across VFX, 3D modelling, and motion graphics...
ZBrush
Production & Post
Creating an authentic connection between human and dragon
Production VFX supervisor Christian Mänz talks to TVBEurope about the work that went into creating the creatures of How to Train Your Dragon both...
Production & Post
How Ignite handled the ‘moving parts’ of creating ITV’s Women’s Euros title sequence
Ignite's David Snowdon talks TVBEurope through the process of creating the titles for ITV's coverage of the UEFA Women's Euro, and why it was...
Features
Making the dragons fly
Martin Pelletier, visual effects supervisor at Rodeo FX, explains how House of the Dragon’s fantastic flying beasts are able to take to the air
Production & Post
How modern day tech created an age-old monster for Godzilla Minus One
Godzilla Minus One director Takashi Yamazaki explains how Maxon's ZBrush helped create the look of the iconic monster's latest big screen outing