Is anything possible now in the cloud? For vendors the possibilities are limitless, for broadcasters it’s only a matter of time.
In the Friday morning session ‘Cloud: How far can it go’ Google Cloud’s CTO Jeff Kember said that Google has invested $30 billion in its infrastructure and hardware and software stack to make heavy-duty tasks such as rendering, simulation and compositing possible.
He added that 80 per cent of Disney’s The Jungle Book was rendered in Google’s Cloud last autumn enabling VFX house MPC and teams located elsewhere in the world to carry out quick renders.
“You can now do shots in parallel. The scalability is there, instead of saying we have a fixed amount of compute on premises you can work on it per frame to save on artist, director and producer time,” said Kember.
He also unveiled some new machine learning features that Google has dropped into a number of places along its Cloud pipeline.
These include metadata tagging, facial recognition, intelligent clipping and logo identification – meaning that Google can now offer its broadcast customers automated tape reels. “Our goal is not to replace the editor but to make the process more efficient,” he added.
For broadcasters interested in creating and pushing out 360 content, Kember added that content captured on its Jump camera can be directly uploaded into the cloud where it can be scheduled, stitched and distributed to customer’s own channels, its client’s channels or directly to its video network.
While the IABM revealed in its IBC end user survey that around one quarter of broadcast companies have virtualised their businesses, fellow panellist Tom Griffiths, director of broadcast and distribution technology at ITV, said that the UK broadcaster would not be doing a whole scale uplift into the cloud.
“In an ideal world there would be nothing on premises but it’s a journey and different parts of our business are at different points in that journey,” he said, explaining that there were legacy systems to be replaced and workflows that needed to be re-architected.
He added that live production was further away than on-demand publishing, which is now all running on cloud.