In this scenario, broadcasters would still have a place in the industry as providers of localised content, including news. Other details include the further development of AI to help with user-specific content selection and digital platforms that use direct models of ad trading, which cut off broadcasters from revenue shares.
‘Content Endgame’ is a scenario where content owners emerge as the leaders, withdrawing and withholding content from digital platform companies to distribute on their own channels, establishing D2C relationships.
Deloitte describes this scenario as one where “variety of content has decreased, but the quality of global productions has reached new dimensions.” Broadcasters remain as they have shifted their focus entirely to the creation of strong local formats, supplying their productions to the big content owners. Digital platform companies, however, have been pigeonholed as strictly distribution channels focused on technical delivery. In this situation, consumers are paying for their preferred content, not a specific platform.
Then there is ‘Revenge of the Broadcasters.’ Here, national broadcasters have successfully made their digital transformation to secure their place in the TV and video ecosystem, creating digital platforms that support direct to customer relationships and deliver on-demand content. Broadcasters would employ new services like targeted advertising and recommendation functions, as well.
Digital platform companies would still exist in this scenario, with national broadcasters focusing on local quality content and digital platforms taking care of global productions and blockbusters. This would still allow for viewers to choose between linear and non-linear content from global or national sources.
The final scenario is ‘Lost in Diversity,’ where a diverse ecosystem has developed with no dominant method. This would feature a variety of distribution platforms with steady turnover of who is impacting the market and a richness of content. There would be partnerships between global and local players, while also having a distinction between content production and distribution.
“Everyone does everything in this scenario,” according to Deloitte, with consumers only being loyal to content, not any specific platform. This allows broadcasters to generate revenue in a number of different ways, keeping them largely independent.
Overall, Deloitte’s scenarios paint a picture of digital platform companies being the major disruptors in the industry, while broadcasters and content producers face the most potential change. They argue that broadcasters and content producers can’t rely on their current market positions. Instead, they need to be open in creating alliances, even with direct competitors. Investment in technological skills will also be critical.
The full Deloitte study is available here.
