DNEG, Dimension partner on ‘two of the world’s largest LED volume stages’ in London and Rome
The companies have released a behind-the-scenes video: The Evolution of Virtual Production
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The companies have released a behind-the-scenes video: The Evolution of Virtual Production
Unreal Engine Motion Design Mode is described by the company as a game-changing environment crafted to empower motion graphics designers with precisely tailored tools
Studio 3 is equipped with disguise VX 4+ and Sony’s Crystal LED VERONA Display, making WWE the first US client to install the modular...
Project Arena utilises off-the-shelf NVIDIA hardware and ray reconstruction technology to quickly move 3D scenes from industry-standard creation tools onto LED screens
DAZN broadcast live from the studio using Plazamedia's permanently connected TV control rooms, with all signals for the broadcast sent from Las Vegas via...
The company has developed a bespoke workflow which uses tools such as Move.AI, MetaHuman and traditional 3D animation techniques for motion capture filmmaking without...
The new panels also offer enhanced picture quality, including 1,500 cd/m2 nits brightness, 7,680 Hz frame rate, 25,000:1 contrast and 16:9 aspect ratio
The Ossium Ladder is designed to hang from any overhead fixing point, allowing rapid rigging of up to sixteen 2’, 4’, or 8’ Rainbow...
K-META and Pixotope will engage in various activities, including the joint development of training courses and education programmes based on both parties’ infrastructure as...
According to the company, the decision will "spark a collaborative virtual production ecosystem"
Addy Ghani, VP of virtual production at disguise, takes TVBEurope through a key AI technology to watch out for in 2024
Live or ‘as live’ TV productions - including sports programmes, game shows and music performances - that film in multi-camera green screen studios currently...
The project aimed to take pre-visualisations created by Painting Practice in Unreal Engine onto set with the real camera
Mediapro's virtual production team worked with the film's art directors to develop 41 stages harnessing technology such as AI, Unreal Engine, photogrammetry and 360º...
Recode recently invested in an upgrade to its current volume, with high-spec Absen LED panels with Brompton processing
The first installation of MOOV's new virtual production technology is at Timeline Television’s studio at Ealing Broadcast Centre
The studio incorporates motion capture, motion tracking, virtual and augmented reality, 3D and LED solutions
The Leyard VEM1.8 LED solution, installed by integrator Solutions Audiovisuelles (SAV), was chosen following a demonstration of its capabilities
Unreal Engine 5.3 includes experimental support to nDisplay for SMPTE ST 2110, which Epic Games says lays the groundwork for future changes to LED...
Pixotope CEO Marcus Brodersen offers his views on virtual production, and why 2023 has been a turning point for education facilities as they begin...
Pixotope will be providing the XR platform for the new facility at Formosa Television (FTV) station in New Taipei City
Welcome to a new feature series looking back at the key trends in the media and entertainment industry during 2023 and what we'll be...
The NFL studio design encompasses an open, 360-degree accessible area featuring four central LED walls
Content Factory aims to help content creators easily integrate virtual production into their content, branding and advertising strategies
The studio complex consists of two studios. Studio 1 features an 8m x 3m curved LED volume while Studio 2 includes a large cyclorama...
How Steven Soderbergh's latest TV series became the first to use the RDX LAB System from Rosco, which enables users to manipulate background imagery...
XPLOR and Final Pixel partnered to shoot a special film to unveil the team's new car to the world's press
The UK’s first interconnected 5G-enabled studio provides a permanent facility that will enable different types of media content to be created at the same...
The new virtual production is being delivered and managed by StartUp Croydon, and can quickly be upgraded for full augmented reality production by...
Both new models, the ZRD-VP15EB/23EB and ZRD-VP15EM/23EM, also see about 27 per cent power consumption decrease when compared to the current ZRD-B15A model, said Sony
According to the company, Live Controller flattens the learning curve that is often cited as a barrier to entry for broadcasters
Phil Galler, co-founder of Lux Machina Consulting, tells TVBEurope why he thinks AI/ML, lightfield and spatial displays will drive solutions for content creators, and...
With an accuracy of up to 0.2 mm and ultra-low latency of just six milliseconds, the Traxis Camera Tracking system ensures that every camera...
The programme offers a blend of traditional classroom training and real-world principal photography
The company worked with a team of experts on the project, which looked at the rendering requirements, synch issues and hardware limitations on high-speed...
TVBEurope talks to Ryan Hendricks, PhD, senior manager, RiS Initiative, at SMPTE, about its work in the virtual production space, the challenges its faced...
Celebrating its 20th anniversary this year, Halon president Chris Ferriter tells TVBEurope about how the company’s adoption of Unreal Engine helped them change the...
Sony launched its new Digital Media Production Centre (DMPC) on 16 May; the first virtual production studio in the UK to include the company’s...