Compact CP.3 lenses look sharp
The ten-lens CP.3 series of primes are smaller than the previous Zeiss CP.2 range, with several other improvements. Matt Brooks, regional sales manager, Zeiss,...
RED showcases EPIC-WTM camera
RED Digital Cinema is showcasing its RED EPIC-WTM camera here at BVE. Visitors to the Zeiss booth can interact with a RED EPIC-WTM, featuring...
Turning lenses into cine lenses
Conventional camera lenses can now be turned into cine lenses that work precisely with a follow focus, thanks to the new Zeiss Lens Gear...
Quality choice for iPhone lenses
There are a lot of iPhone lenses available, but few of them are particularly high quality, however Zeiss’ collaboration with ExoLens aims to bring...
Lightweight standard zoom lens
The new Zeiss LWZ.3 is a lightweight zoom designed for use with Super 35mm cameras. It weighs 2kg, and has a 4.8x zoom (21-100mm)...
Focusing on lenses
Zeiss has helped to create distinctive images in many famous movies including Spectre, Skyfall, Life of Pi and ARGO
Cine zoom capabilities widened
The third member of the Compact Zoom range has been released, taking the cine zoom line-up in to the wide-angle range. The new Zeiss...
Master Anamorphic family completed
The new Master Anamorphic MA135/T1.9 lens is the seventh lens in the Master Anamorphic family jointly developed by Arri and Zeiss, and completes the...
Production & Post
4K lens line up
Several new lenses suitable for 4K and Ultra HD production will be introduced at IBC from Fujinon, Zeiss and IBE Optics, while MTF is...