Production & Post
Sony unveils 70 per cent smaller Venice Extension System Mini
The Mini has a footprint equal to the size of an average smartphone and can be placed side by side for use in stereoscopic...
specialist cameras
Production & Post
Analysts: The pro video camera market is caught between disruption and opportunity
According to Futuresource Consulting, the pro video industry is poised for transformation and manufacturers can target evolving content creation trends to carve a path...
Live Production
Proton announces world’s smallest slow-motion minicam
Designed to meet growing demand for high-speed capture in sports broadcasting, the HFR enablescontinuous slow motion output with frame rates of up to 240fps...
Production & Post
World’s smallest global shutter broadcast camera to debut at NAB Show
According to the company, the AtomTwo's colour reproduction, global shutter and wide colour gamut make it simple to match to box cameras in major...
Production & Post
Blackmagic URSA Cine Immersive camera to launch in Q1 2025
The Blackmagic URSA Cine Immersive is described as the world’s first commercial camera system designed to capture Apple Immersive Video
Production & Post
Blackmagic Design unveils world’s first camera and editing system for Apple Vision Pro
The company has also introduced an updated version of DaVinci Resolve which includes an immersive video viewer to let editors pan, tilt and roll...
Production & Post
Filming in extreme conditions: Mammals production team reveal all
Producer/directors Stuart Armstrong and Will Lawson detail the specialist cameras used to capture the footage for the series' Dark and Cold episodes
Live Production
The 4K cameras giving audiences an astronaut’s view of Earth
TVBEurope meets Charles Black, founder and CEO of Sen, which has sent a payload of 4K cameras to the ISS to livestream images of...
Live Production
Bundesliga first for Riedel Refcam
Comprising a head-mounted camera integrated with a transmission system, RefCam weighs just six grams
Audio
Acoustic cameras and laser beams capture the Secret World of Sound
Series producer Sharmila Choudhury reveals some of the technology used on the Sky Nature documentary series, which also features five minutes of behind-the-scenes footage...
Live Production
Videosys Broadcast introduces new control system for high-speed box camera
The fibre-based plug-and-play system uses intuitive software that automatically configures all the camera and CCU features for the user’s chosen format
Production & Post
Sphere Studios’ camera system includes 316-megapixel sensor
The 316-megapixel sensor is almost 7x larger and 40x higher resolution than the full-frame sensors found in high-end commercial cameras
Live Production
TNT Sports introduces bodycams as part of Premier League coverage
A special AI-powered stabilisation bodycam from technology company Mindfly will be affixed to a player from Wolves and Spurs during the match warm-up
Live Production
Warner Bros Discovery puts fans in the director’s chair with UCI Track Champions League coverage
The broadcaster will be employing 20 cameras including Spidercams, five on-board rider cameras, two behind-the-scenes and trackside cameras to take viewers to places they...
Production & Post
Planet Earth III: How the production team spent five years filming, and 797 days in quarantine
Ahead of its premiere on 22nd October, the production team reveal some of the technology employed on the BBC One's latest natural history series
Live Production
Gravity Media nets new agreement for speciality cameras at Wimbledon
NetCam, designed by Gravity Media Australia, features a dual UHD camera platform with two simultaneous 12g-SDI digital video transmission outputs (one from each camera)
Live Production
How cinematic tech is adding artistry to the world of sport
TVBEurope speaks to a cinematic lens manufacturer, service provider and leading sports broadcaster to get their thoughts on why cinematic technology is seeing broader...
Live Production
Formula E races off with 50 miniature cameras
The camera, which is slightly bigger than a one euro coin, and weighs 25 grams, delivers 10-bit colour depth and 1080/60p/i output to a 1/2.5-inch...
Live Production
ATP Media takes to the skies with Birds Camera Solutions
The cable camera systems can be easily integrated into all common augmented reality applications, and can cover areas from 50 x 50m to 250...
Live Production
Gravity Media updates HelmetCam for The Hundred 2023
Gravity Media Australia helps viewers see English cricket teams win something this summer
Live Production
EMG Group companies extend contracts with Wimbledon Broadcast Services
This year's Wimbledon will see more UHD or 1080p HDR cameras in use as WBS expands the high-quality format support from Centre Court out...
Production & Post
Watch: Darren Aronofsky shoots new film with Big Sky camera system
"Delivering a half-petabyte movie - that’s 500,000 gigabytes - that utilises more than 160,000 speakers is mind boggling," said Aronofsky
Production & Post
Sphere Studios unveils ‘most advanced camera system in the world’
The camera system, which has been named Big Sky, includes a single 316-megapixel, 3"x3" HDR image sensor capable of a 40X resolution increase over...
Production & Post
Mo-Sys updates G30 gyro-stabilised camera mount
Mo-Sys said it has listened to G30 users and made the mount easier to rig and operate, and even more precise and repeatable in...
Production & Post
Drones, time-lapse cameras, and rebreather diving technology capture Frozen Planet II
The series involved 2188 filming days in the field across three years, with filming on every continent, all around Antarctica and in space
Production & Post
Vicon launches ‘highest-fidelity’ motion capture cameras
The range includes a 26-megapixel (MP) model and a high-speed capture mode at up to 2,000 Frames Per Second (FPS)
Production & Post
One of the most sensitive infrared cameras ever built captures early cosmos
Lockheed Martin has developed a new technique for bonding the camera's optics mounts together, ensuring it will continue to work in temperatures as low...
Live Production
Could artificial intelligence replace the need for camera people in live sport?
TVBEurope meets Gal Oz, co-founder and CTO of AI video technology company Pixellot, to learn how they're transforming the way sport is produced
Production & Post
Imax developing next generation cameras with Kodak, Panavision and FotoKem
Company is also working with leading filmmakers, including directors Christopher Nolan and Jordan Peele
Production & Post
How a Triffid captured The Green Planet
The team behind the BBC’s new natural history series The Green Planet explain how they used a mixture of creative, photographic and engineering techniques...
Live Production
Gravity Media smashes tennis coverage with Dream Chip AtomOne Mini Air Camera
Mini Air's lens is little bigger than a one euro coin and weighs 25 grams
Live Production
Gravity Media’s HelmetCam catches The Hundred action
Device has full HD 1080i/50 resolution, HD-SDI output from the receiver, image stabilisation and weighs just 230g
Live Production
BT Sport brings cinematic look to FA Cup Final
BT Sport's Jamie Hindhaugh tells TVBEurope the broadcaster's plans for this weekend's showpiece event
Production & Post
How Line of Duty ushered in a new era of remote operations
TVBEurope investigates how a new modular dolly system, described as a filmmaking Swiss Army Knife, helped film a major stunt for the hit BBC...
Live Production
Sky Deutschland uses cinematic camera for Bayern’s Champions League match
Broadcast will employ ARRI ALEXA Mini for the first time
Live Production
New pitchside cameras take LaLiga fans closer to the action
The 35 mm sensor, mirrorless camera integrates a stabiliser support similar to that of steady-cam technology, providing a highly cinematic visual experience
