Opinion: The 78th Academy Awards was a masterclass in bad audio
The 78th Academy Awards was one of the worst-sounding live broadcasts Jenny Priestley has ever watched
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The 78th Academy Awards was one of the worst-sounding live broadcasts Jenny Priestley has ever watched
Sound supervisor Andy Tapley details the ambitious overhaul of the sound control room at Elstree Studios, delivering a state-of-the-art, integrated audio and vision system...
TVBEurope talks to supervising sound editor Peter Brown and re-recording mixers Joe Barnett and Adam Jenkins to discuss their work on producing the show's...
Sound designer Steve Fanagan tells David Davies how the soundscape behind the recent BBC One series, The Listeners, was created
The plug-and-play SMPTE 2110 native console supports 5.1.2, 5.1.4, 7.1.2 and 7.1.4. immersive paths for input channels, busses, metering and monitoring as standard
Production sound mixer Chris Giles talk to TVBEurope about the challenges of working on Marvel's latest TV series, and how he can walk into...
The Jack Cardiff Theatre is "the largest room of its kind in London"
Platform is aimed at live sports applications and allows sound engineers to automatically create the best possible mix using standard microphone set-ups
George Foulgham credits include Man on Wire, The White Helmets, and The Life and Trials of Oscar Pistorius
Daniel Gumble delves into Killing Eve’s technical challenges with its award-winning sound crew
Production sound mixer Simon Hayes talks to TVBEurope about the festive season's big film