Australia’s busiest newsroom abandoned due to suspected cyber attack
"It's taken dozens of engineers across the country to bring our systems back to a point where we can bring the news back on...
Update your browser to view this website correctly. Update my browser now
"It's taken dozens of engineers across the country to bring our systems back to a point where we can bring the news back on...
Philip Stevens reports on the newsroom system behind Britain’s newest channel
Latest issue takes a look at a new augmented reality app starring two British icons, speaks to the studios plugging the shortfall in UK...
Company helped ensure all data from the production company's UHD camera crews was securely ingested, backed up, transcoded, and sent on to post production
Complex includes virtual production studio powered by Unreal Engine
How live event organiser Ticketco has adapted to delivering live and on-demand pay-per-view (PPV) event coverage to global audiences
Company intends to examine and test connectivity, data throughput, latency, susceptibility to failure and reliability within various parameters
Fashion magazine is using Blackmagic's Pocket Cinema Camera 6K to broadcast from home to its YouTube followers
The Teradek Cube 655 video encoder can capture colour-accurate proxy files directly from camera video feeds and upload them into the Frame.io cloud system
TV Warehouse broadcasts in both SD and HD formats on Sky and Freeview
Studios are equipped with 4K cameras and managed by one control room
The production relied on the Arri LWZ-1 15.5-45mm T2.6 with a Speed Booster Ultra 0.71x adapter, together with Black pro mist 1/4 and 1/2...
Annual report, released as part of the Göteburg Film Festival forecasts trends in TV and film
The BFI reports the industry started to see recovery in final quarter of 2020 with £1.19 billion spent, the second highest three-month spend on...
Tool will be used in conjunction with Mimir, an AI-powered media management system
New production arm will be led by Katie Hearn and focus on outside production and live streams
Production used White Light's SmartStage to film the show
New series uses company's kit and expertise for live broadcasts
New "friction-free" subscription model aims to let customers pay for what they need when they need it
Company will provide a paddock network to distribute data to TV, which will allow TV graphics to visualise data on screen.
The first section, released today, focuses on the challenges, opportunities and drivers of change in the world of production and post
Significant developments are expected in the next ten years including changes to the tools for content creation and production; content distribution routes; and the...
pixitmedia MD Paul Cameron considers which new solutions put in place in 2020 could evolve and disrupt the media and entertainment industry in 2021.
NEP, Extreme E and Aurora Media Worldwide have developed a full end-to-end solution including flypack, remote production, crewing, satellite and fibre connectivity, edit, ingest,...
Jo Auston, production executive at Multistory Media explains how technology kept ITV's The Martin Lewis Money Show on air during the UK's first lockdown.
Meerkats: A Dynasties Special producer Emma Napper tells TVBEurope about the joys and challenges of filming the natural history special.
The software protects against audio and video profanity and works with both IP and SDI
Streamer says it intends to "invest in the best content in every genre, and are fully committed to supporting British production and creative talent...
Martin Coles, vice president of marketing at IPV, gives TVBEurope an exclusive insight into the media and entertainment findings from the company's report into...
As the tennis season approaches its conclusion with the ATP Tour Final, sports broadcast event producer and EVS editor Bren Hester offers TVBEurope some...
Development is the first in a series of planned upgrades to Grabyo’s cloud-native live production platform, Grabyo Producer.
Hackman Capital Partners agrees deal with the Council to begin construction on 12 stage complex next year
TVBEurope talks to SES' Susanna Mandel-Mantello about the company's new facility at Stockley Park, as well as remote production and 8K
The Switch's Robert Szabo-Rowe explores how rights holders, broadcasters and other content producers can fill a larger number of hours of live sports content...
Parham Azimi, CEO of iconik, explains how broadcasters and media organisations can use AI to give them a head-start on any upcoming industry changes.
The smart production set up contains future proof technology including Touch User Interface.
New protocols include Perspex screens in editing suites, remote camera heads on the show floor and editors and producers working remotely
Latest report in the DPP's Design for Tomorrow series follows a series of workshops with experts drawn from the production community and their suppliers.
tms aims to allow anyone involved in content creation to take advantage of the Cloud
Letter states that the Apprenticeship Levy, a tax on employers which can be used to fund apprenticeship training, is not working for trades including...
Metadata Wrangler toolset aims to refine the production process by removing the duplication of metadata entry combined with automated content management.