Live Production
Vizrt unveils TriCaster Flex Dual control panel
The NDI-native panel enables operators to work without being tethered to where their TriCaster physically sits, said the company
live production
Live Production
Eurovision Sport deploys LiveU technology for UCI World Championship
Eurovision Sport employed LiveU's technology for two main use cases, including bringing signals back from various sites, including motorbikes, helicopters and other moving vehicles...
Live Production
The trends of 2023: Remote production centres and a change in skill sets
Ed Tischler, managing director, Gravity Media, discusses the major trends the company has observed in live production during 2023, and how it’s preparing for...
Live Production
Denmark’s TV 2 trials 5G in a live studio production
Each camera was connected to the 5G network via a prototype of Sony’s CBK-RPU7 ultra-low latency HEVC 4K/HD remote production unit, and an Xperia...
Live Production
TVU Networks aims to meet Paris 2024 demand with new partnership
The partnership with MediaPower France will enable TVU to meet the requirements of French broadcasters for live production tools and services ahead of the...
Artificial Intelligence
Unleashing the future of broadcasting
By harnessing the potential of AI and cloud computing, the broadcasting industry is on the brink of a ground-breaking revolution that will redefine the...
Live Production
Aurora Media Worldwide named broadcast production partner for new all-electric raceboat series
Aurora will provide live racing action, highlights programming and a variety of behind-the-scenes content as the championship kicks off in Jeddah in early 2024
Live Production
Broadcast teams could be forced to work on Christmas Eve in Premier League shake-up
If it goes ahead, the game would be the first live match to take place in England's top flight on Christmas Eve for almost...
Live Production
Warner Bros Discovery puts fans in the director’s chair with UCI Track Champions League coverage
The broadcaster will be employing 20 cameras including Spidercams, five on-board rider cameras, two behind-the-scenes and trackside cameras to take viewers to places they...
Media Delivery
EMEA helps drive Netflix to almost 9 million new subscribers in Q3
Speaking to analysts, co-CEO Ted Sarandos said the streamer continues to "invest heavily" in live capabilities, but is not looking to break into the...
Live Production
Optical Media sails away from RF to bonded cellular for Fastnet Yacht Race
The production team opted to employ multiple LiveU field units – two on the shore and one in a camera boat on the water,...
People
Riedel further invests in live video production with new recruits
Riedel has announced additional investment in its live video production capabilities with the addition of Brett Stoneham, Armando Orellana, and Emanuele Rivolta to its...
Live Production
QTV enhances SPFL broadcasting capabilities with help from Ross Video, ES Broadcast
QTV worked with systems integrator ES Broadcast to update its video routing and switching solutions
Live Production
Sunset+Vine to deliver 176 hours of live and as-live sporting events for BBC Alba
The deal includes coverage of football, shinty and rugby
Media Management
RTVE says hi to Broadcast Solutions’ interface system
The system detects, manages, and controls Dante, NDI and SMPTE 2110 networks within the same environment
Live Production
OB company Cloudbass upgrades production servers with EVS
Cloudbass is replacing its current EVS XT3 servers and deploying additional XT-VIA servers to augment its capabilities
Artificial Intelligence
German sports streamer Dyn zooms in on the action with AI-automated cameras
As part of its ecosystem, Dyn Media chose Pixellot to provide additional camera feeds for both its Handball Bundesliga and Basketball Bundesliga workflows
Live Production
Case study: NEP Finland goes all in with NetOn.Live’s production platform
How NEP Finland implemented a new broadcast production system, powered by the LiveOS Production Platform and the SPX Graphics engine by Softpix
Live Production
Gravity Media expands global camera fleet with Sony
The company has invested in HDC-3500s, HDC-5500s and HDC-P50s, which will be deployed around the world and within Gravity Media’s recently launched Production Centre...
Media Management
Amagi announces cloud-based live production and playout system for single live events
Amagi DYNAMIC aims to eliminate the need for upfront hardware investments, said the company, allowing users to spin up cloud infrastructure only for the...
Live Production
EMG Italy runs over 1,500 annual events remotely with Riedel’s SimplyLive
EMG Italy can remotely produce and distribute a basis of 40 live events per weekend, with up to 30 live sports events simultaneously
Live Production
Behind the scenes at the Rugby World Cup 2023
As the Rugby World Cup reaches its second round in France, TVBEurope speaks to Host Broadcast Services about its role in bringing the tournament...
Live Production
Gravity Media aces US Open coverage with host, domestic and international production facilities
This year's broadcast featured UHD on Ashe court produced with Dolby Atmos
Artificial Intelligence
Portuguese Football Federation looks to score with AI-automated video production
The FPF will utilise Pixellot's solution suite for coverage of over 1,000 matches
Media Management
EVS announces new ecosystem to bridge world of live content creation and distribution
The VIA Media Asset Platform is built on a microservices-based foundation, and permeates every aspect of the company's technology and solution delivery
Media Management
Rethinking virtualisation: Beyond the cloud and into efficient hardware abstraction
Erling Hedkvist, sales and business development at manifold technologies, takes a look at some of the main misconceptions about moving to the cloud, and...
Live Production
SailGP to leverage 5G for all on-boat cameras
The sport is using T-Mobile’s 5G Advanced Network Solutions technology in the United States to power new action cameras mounted on SailGP’s 10 F50s
Live Production
France Télévisions prepares cloud and wireless remote workflow for Paris 2024
The broadcaster employed a hyper-mobile broadcasting wokflow on special programming marking one year to the start of next summer's Olympic Games
Business
UK’s Film and TV Charity sees 800 per cent rise in requests for financial aid
The Charity has announced a £500,000 increase in its financial budget in order to help it meet the requirements of workers across the industry...
Production & Post
New Sky Sports studio set for debut on Monday Night Football
The new studio features a virtual canopy roof and LED floor to present a more immersive, data-rich experience for viewers
Live Production
Match ready: Sky Sports News prepares to kick off new football season from brand new studio
TVBEurope catches up with Ben Wickham, director of creative output, Sky Sports, to find out how the broadcaster has been working on its own...
Live Production
Delivering a game-changing event to 200 countries
Robert Shepherd talks to Lester Holcombe about Game4Ukraine, a ground-breaking global event fusing live football, music performances and cutting-edge technology for a noble cause...
Live Production
Domo Broadcast Systems, Timeline TV collaborate on ‘revolutionary’ in-car broadcasting technology
The technology enables the transmission of multiple camera angles simultaneously or individually, with built-in switching, real-time over-air playback, and remote operator control of multiple...
Live Production
Sunset+Vine to employ drones, 3D tracking animations and an ‘Attack RIB’ at Sailing World Championships
The ‘Attack RIB’ unit will provide live multicamera ‘straight to social’ coverage from a boat on the race track at sea
Live Production
Delivering Miami’s Ultra Music Festival from thousands of miles away
Production agency NOMOBO talks to TVBEurope about their work on Miami's Ultra Music Festival, with the MCR based in Amsterdam
Live Production
NewTek revitalises 3Play 3P2 replay system
3Play 3P2 now offers operators the ability to design their own workspaces, drag and drop menus, turn elements on or off as needed and...
Live Production
EMG Germany goes live with Sony’s XVS-6000 mixer
Six of the company's seven broadcast studios can be operated using the two new mixers, which can be assigned to individual studios depending on...
Live Production
IMG to produce BBC’s FIFA Women’s World Cup coverage
IMG will oversee the live match feed, studio presentation and highlight programming of the tournament, which kicks off on July 20th
Media Consumption
Germany’s MMC Studios gets in sync with Hitomi
The studios are using Hitomi MatchBox as part of the move to 4K HDR on shows such as Let's Dance, The Masked Singer and...
Media Consumption
NEP UK serves up expanded UHD coverage at Wimbledon
NEP UK is using 224 channels of conversion to deliver both HD SDR and UHD HDR to rights holders around the world
Live Production
Connecting viewers with nature: The technology behind WildEarth
Recently launched on Freeview in the UK, WildEarth broadcasts live and interactive shows that aim to recreate the experience of being on a safari...
Media Management
How the cloud gives Sky Italia the X-Factor
The broadcaster has worked with AWS to introduce near real-time voting to its version of the hit singing show