Eurovision Sport deploys LiveU technology for UCI World Championship
Eurovision Sport employed LiveU's technology for two main use cases, including bringing signals back from various sites, including motorbikes, helicopters and other moving vehicles...
The trends of 2023: Remote production centres and a change in skill sets
Ed Tischler, managing director, Gravity Media, discusses the major trends the company has observed in live production during 2023, and how it’s preparing for...
Denmark’s TV 2 trials 5G in a live studio production
Each camera was connected to the 5G network via a prototype of Sony’s CBK-RPU7 ultra-low latency HEVC 4K/HD remote production unit, and an Xperia...
TVU Networks aims to meet Paris 2024 demand with new partnership
The partnership with MediaPower France will enable TVU to meet the requirements of French broadcasters for live production tools and services ahead of the...
Aurora Media Worldwide named broadcast production partner for new all-electric raceboat series
Aurora will provide live racing action, highlights programming and a variety of behind-the-scenes content as the championship kicks off in Jeddah in early 2024
Broadcast teams could be forced to work on Christmas Eve in Premier League shake-up
If it goes ahead, the game would be the first live match to take place in England's top flight on Christmas Eve for almost...
Warner Bros Discovery puts fans in the director’s chair with UCI Track Champions League coverage
The broadcaster will be employing 20 cameras including Spidercams, five on-board rider cameras, two behind-the-scenes and trackside cameras to take viewers to places they...
EMEA helps drive Netflix to almost 9 million new subscribers in Q3
Speaking to analysts, co-CEO Ted Sarandos said the streamer continues to "invest heavily" in live capabilities, but is not looking to break into the...
Optical Media sails away from RF to bonded cellular for Fastnet Yacht Race
The production team opted to employ multiple LiveU field units – two on the shore and one in a camera boat on the water,...
Riedel further invests in live video production with new recruits
Riedel has announced additional investment in its live video production capabilities with the addition of Brett Stoneham, Armando Orellana, and Emanuele Rivolta to its...
QTV enhances SPFL broadcasting capabilities with help from Ross Video, ES Broadcast
QTV worked with systems integrator ES Broadcast to update its video routing and switching solutions
Sunset+Vine to deliver 176 hours of live and as-live sporting events for BBC Alba
The deal includes coverage of football, shinty and rugby
RTVE says hi to Broadcast Solutions’ interface system
The system detects, manages, and controls Dante, NDI and SMPTE 2110 networks within the same environment
OB company Cloudbass upgrades production servers with EVS
Cloudbass is replacing its current EVS XT3 servers and deploying additional XT-VIA servers to augment its capabilities
German sports streamer Dyn zooms in on the action with AI-automated cameras
As part of its ecosystem, Dyn Media chose Pixellot to provide additional camera feeds for both its Handball Bundesliga and Basketball Bundesliga workflows
Case study: NEP Finland goes all in with NetOn.Live’s production platform
How NEP Finland implemented a new broadcast production system, powered by the LiveOS Production Platform and the SPX Graphics engine by Softpix
Gravity Media expands global camera fleet with Sony
The company has invested in HDC-3500s, HDC-5500s and HDC-P50s, which will be deployed around the world and within Gravity Media’s recently launched Production Centre...
Amagi announces cloud-based live production and playout system for single live events
Amagi DYNAMIC aims to eliminate the need for upfront hardware investments, said the company, allowing users to spin up cloud infrastructure only for the...
EMG Italy runs over 1,500 annual events remotely with Riedel’s SimplyLive
EMG Italy can remotely produce and distribute a basis of 40 live events per weekend, with up to 30 live sports events simultaneously
Gravity Media aces US Open coverage with host, domestic and international production facilities
This year's broadcast featured UHD on Ashe court produced with Dolby Atmos
Portuguese Football Federation looks to score with AI-automated video production
The FPF will utilise Pixellot's solution suite for coverage of over 1,000 matches
EVS announces new ecosystem to bridge world of live content creation and distribution
The VIA Media Asset Platform is built on a microservices-based foundation, and permeates every aspect of the company's technology and solution delivery
Rethinking virtualisation: Beyond the cloud and into efficient hardware abstraction
Erling Hedkvist, sales and business development at manifold technologies, takes a look at some of the main misconceptions about moving to the cloud, and...
France Télévisions prepares cloud and wireless remote workflow for Paris 2024
The broadcaster employed a hyper-mobile broadcasting wokflow on special programming marking one year to the start of next summer's Olympic Games
UK’s Film and TV Charity sees 800 per cent rise in requests for financial aid
The Charity has announced a £500,000 increase in its financial budget in order to help it meet the requirements of workers across the industry...
New Sky Sports studio set for debut on Monday Night Football
The new studio features a virtual canopy roof and LED floor to present a more immersive, data-rich experience for viewers
Match ready: Sky Sports News prepares to kick off new football season from brand new studio
TVBEurope catches up with Ben Wickham, director of creative output, Sky Sports, to find out how the broadcaster has been working on its own...
Domo Broadcast Systems, Timeline TV collaborate on ‘revolutionary’ in-car broadcasting technology
The technology enables the transmission of multiple camera angles simultaneously or individually, with built-in switching, real-time over-air playback, and remote operator control of multiple...
Sunset+Vine to employ drones, 3D tracking animations and an ‘Attack RIB’ at Sailing World Championships
The ‘Attack RIB’ unit will provide live multicamera ‘straight to social’ coverage from a boat on the race track at sea
Delivering Miami’s Ultra Music Festival from thousands of miles away
Production agency NOMOBO talks to TVBEurope about their work on Miami's Ultra Music Festival, with the MCR based in Amsterdam
IMG to produce BBC’s FIFA Women’s World Cup coverage
IMG will oversee the live match feed, studio presentation and highlight programming of the tournament, which kicks off on July 20th
NEP UK serves up expanded UHD coverage at Wimbledon
NEP UK is using 224 channels of conversion to deliver both HD SDR and UHD HDR to rights holders around the world
Connecting viewers with nature: The technology behind WildEarth
Recently launched on Freeview in the UK, WildEarth broadcasts live and interactive shows that aim to recreate the experience of being on a safari...