Production & Post
Submissions opening for 2025 FilmLight Colour Awards
The awards recognise the achievements of colourists working on projects around the world
Baselight
Production & Post
Grading the candidates
Now in its 19th season, BBC One’s The Apprentice continues to innovate in terms of its look. Colourist Andrew Cloke tells TVBEurope's Jenny Priestley...
Production & Post
Colourist Claudio Del Bravo on grading Queer
Explaining the process to TVBEurope, Del Bravo said the film's look was inspired by the Technicolor ‘three-strip’ process, evoking the rich colours of early...
Production & Post
Creating the look of dual timelines for Moonflower Murders
TVBEurope investigates the work of colourist Dan Coles on the latest season of the BBC's crime series
Production & Post
‘The grade should flow – not steal the show’: Colourist Jax Harney reveals her hopes for the FilmLight 2024 Awards
Ahead of this year's FilmLight Colour Awards, jury member Jax Harney, founder and senior colourist at X-LDN speaks to TVBEurope about the colourist's role...
Features
Creating George Miller’s graphic prequel Furiosa: A Mad Max Saga
Colourist Eric Whipp discusses the challenges of creating the look for George Miller's epic blockbuster
Production & Post
FilmLight updates Baselight to include machine learning tools
Colourists can copy corrections and enhancements made in Face Track to the entire timeline
Production & Post
Creating three-dimensional images for La Última
Colourist Raúl Lavado explains how he created emotions with colour for Spain's first original Disney Plus series
Production & Post
Creating the look of Indian epic RRR
Colourist Shiva Kumar details his work on Oscar contender RRR (Rise, Roar, Revolt)
Production & Post
Case study: Baselight helps George Miller achieve his vision for Three Thousand Years of Longing
Colourist Eric Whipp discusses how using Baselight helped him create the look of the fantasy drama
Audio
Dolby Audio purrs in new Lucky Cat audio suite
Boutique post production house has also upgraded its Baselight capabilities to 4K
Production & Post
‘Woman’ – the voice of women across the world
Director Anastasia Mikova and colourist Stéphane Azouze recall shooting and grading a powerful documentary
Features
Colour my world
How are Youngster's colourists and creative artists using FilmLight’s Baselight to colour grade content?
TVBEverywhere
TVBEurope July/August 2019 issue available
Takes a look at all things production from colour grading to VFX and sound to virtual studios
News Releases
FilmLight boosts performance with new Baselight Editions
FilmLight will be showing the new features of Baselight v5 for Avid and NUKE, along with BLG for Flame, the latest product in the...
Features
Meet the colourist: Ronney Afortu
TVBEurope talks to Ronney Afortu, whose credits include Golden Globe winner In The Fade
Production & Post
VFX studio Milk expands; celebrates fifth birthday
Expansion increases artist capacity to 250 and includes two 4K Baselight screening rooms
Features
Bringing colour to Black Panther
Technicolor colourist Maxine Gervais discusses her work on Marvel Studios' epic blockbuster
Interviews
Meet the colourist
Asa Shoul, senior colourist, Molinare TV & Film, talks stylistic differences, natural light and beautiful grading
Production & Post
HDR: It’s all about that Baselight
Technicolor has extended its colour grading capabilities in Hollywood with FilmLight’s Baselight X system
Production & Post
Black Box, FilmLight partner on KVM
The pair offer six different kits incorporating Black Box’s digital KVM extension solution
Production & Post
All about that Baselight at Sky
Sky has installed two Baselight Two 4K colour-grading systems at its headquarters in west London. Each system has a Blackboard 2 control surface and...
Production & Post
LipSync Post completes Wolf Hall with third Baselight grading suite
London creative post house LipSync Post has opened its third grading suite, incorporating a Baselight grading system and Blackboard control panel from FilmLight.
News
News Releases
Hollywood Blockbusters get Dolby Vision release
Dolby Vision, a complement to both HD and 4K, is a new imaging technology that helps content creators and television manufacturers deliver a dramatically...
News
Production & Post
Denzel Washington thriller finished on Baselight
The Equalizer, the new thriller starring Denzel Washington, was graded on Baselight EIGHT at Colorworks, the finishing facility on the Sony Pictures lot at...
News
Production & Post
Ireland’s Windmill Lane upgrades grading
Dublin-based post house Windmill Lane has upgraded its colour grading department with a new FilmLight infrastructure.
Production & Post
Baselight finishes a 4K House of Cards
The second season of House of Cards, the political drama from Netflix, was released on 14 February 2014. For the first time, 4K and...
Business
Warner Bros selects Baselight for Clint Eastwood’s Jersey Boys
The Warner Bros MPI team, with colourist Maxine Gervais chose Baselight colour suite for dailies and DI, for the film adaptation of Jersey Boys.
Business
House of Cards gets 4K finish
The second series of Netflix House of Cards, had its 4K post production managed by Deluxe.
Production & Post
Platform Post opens suite with Baselight
Soho-based post production house Platform Post has opened its first grading suite incorporating a Baselight ONE grading system, Blackboard control panel and Baselight for...