Adobe reveals Gen AI solutions for content supply chain
Elsewhere, Adobe revealed a new feature in Adobe Firefly, which uses the company's generative AI to easily apply the structure of an existing image...
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Elsewhere, Adobe revealed a new feature in Adobe Firefly, which uses the company's generative AI to easily apply the structure of an existing image...
The studios are expected to be one of the largest in Europe, with 20 premium sound stages suitable for major feature film and high-end...
Twelve Labs' AI will enable editors to locate specific storytelling moments within their video content using natural language, said the companies
The Surrey facility adds a further 17 sound stages (taking its total to 31) as well as two new backlots
Other Craft Award nominees include The Crown, Silo, The Coronation Concert and Eurovision
Take Off is a game show where science and innovation meet competition. With 12 contestants pitted against one another in a series of challenges,...
Jane Sung, COO at Cinedeck, explains how broadcasters and content production companies can achieve the goal of moving towards creating a more sustainable, efficient...
Blazing Griffin's technical operations manager Paul Martin explains how the company keeps production workflows running smoothly with the help of Media Shuttle from Signiant
Vine FX blends practical and CGI elements for ITV's After the Flood, crafting immersive world-building crucial to the post-disaster thriller's authenticity, writes Robert Shepherd
The update enables users to repurpose existing video content by editing recordings into clips, highlight reels, or condensed versions for specific audiences
The speakers will discuss why there are so few women in senior roles, juggling parenthood with a career, LGBTQ+ representation and inclusion, financial literacy,...
According to UK Screen Alliance estimates, the tax relief changes are likely to stimulate an additional £175 million of VFX work to be performed...
Godzilla Minus One director Takashi Yamazaki explains how Maxon's ZBrush helped create the look of the iconic monster's latest big screen outing
The producers of thriller No Way Up tell Robert Shepherd how they created visually stunning scenes set in the Pacific Ocean, from Basildon and...
The strategy aims to increase the screen sector gross value added (GVA) impact to £1 billion within the Scottish economy by 2030/31
Cinematographer Greig Fraser discusses some of the innovative technology used on Dune 2
Hula Post's Joel Ouano talks to TVBEurope about how the post production house worked with editor Pam Martin to provide equipment for her work...
TVBEurope talks to the production team behind Channel 4's "social experiment" to find out how they enabled viewers to look over the shoulders of...
The initiative aims to help build a diverse, skilled workforce for departments including camera, sound and more
The film is from writer-director Mark Gill and was shot in Tokyo, Japan in October 2023. It chronicles the life of Japanese photographer Masahisa...
The studio is equipped with six edit suites and two colour suites and has been technologically designed from the ground up
Oppenheimer dominated the night, picking up seven BAFTAs across all categories
Colourist Felix Hüsken discusses the 4K/HDR image workflows for the Paramount+ drama series
Company is opening two further offices in Manchester and Cardiff
The new Cine Series aims to meet the diverse needs of cinematographers, from solo operators to larger production crews, said the company
The studio's first major project will involve bringing to life prehistoric creatures and environments with high-end VFX for NBC series Surviving Earth
The light’s intensity level has a comparable output to the ARRI Daylight M-Series M18 within a tighter beam angle, said the company
Teradek TV allows productions to set up and share encrypted ultra-high-quality video feeds with low delay
The report by Timewise and Bectu found that adopting a shorter working day will lead to "healthier, more resilient crew with the potential to...
The new regional base makes the company the first set specialists in the facility and one of the first production service businesses
Tim Burton, managing director, 7FiveFive, explains why it's important that media companies prioritise UX in order to take one step closer to futureproofing their...
The hub, located at Versa Leeds Studios, will offer production services and facilities, including four sound stages ranging from 10,000 sq. ft to 27,000...
The UK-based post production house worked closely with director Jonathan Glazer on the grade of the BAFTA and Oscar-nominated film
The AGITO Cine has a larger core, expanded wheelbase and increased ground clearance, and is built to handle heavier camera payloads
Cinematographer Kira Kelly talks to Robert Shepherd about creating the look of Marvel’s latest TV series, Echo
The customisable platform experience enables users to design workflows for their own post production needs
According to Marcus Ryder, CEO of the Film and TV Charity, too many behind the scenes workers are being asked to deal with structural...
The 12-month programme is aimed at developing emerging filmmakers across Scotland and the UK
The new cameras feature the low-light performance, dynamic range, resolutions, high frame rates and form factor of their V-RAPTOR predecessor
Giant is using ERA’s rendering infrastructure on-demand which can be deployed to meet the growing demands of the company's global workforce
Projective’s post production collaboration platform, Strawberry, is being integrated with LucidLink’s remote connectivity solution, enabling users to run their projects in a cloud-first context
Special effects coordinator Brandon K McLaughlin tells David Davies why he didn’t need to be asked twice about working on Martin Scorsese’s latest epic,...