Oppenheimer leads BAFTA Film Awards technical category winners
Oppenheimer dominated the night, picking up seven BAFTAs across all categories
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Oppenheimer dominated the night, picking up seven BAFTAs across all categories
Colourist Felix Hüsken discusses the 4K/HDR image workflows for the Paramount+ drama series
Company is opening two further offices in Manchester and Cardiff
The new Cine Series aims to meet the diverse needs of cinematographers, from solo operators to larger production crews, said the company
The studio's first major project will involve bringing to life prehistoric creatures and environments with high-end VFX for NBC series Surviving Earth
The light’s intensity level has a comparable output to the ARRI Daylight M-Series M18 within a tighter beam angle, said the company
Teradek TV allows productions to set up and share encrypted ultra-high-quality video feeds with low delay
The report by Timewise and Bectu found that adopting a shorter working day will lead to "healthier, more resilient crew with the potential to...
The new regional base makes the company the first set specialists in the facility and one of the first production service businesses
Tim Burton, managing director, 7FiveFive, explains why it's important that media companies prioritise UX in order to take one step closer to futureproofing their...
The hub, located at Versa Leeds Studios, will offer production services and facilities, including four sound stages ranging from 10,000 sq. ft to 27,000...
The UK-based post production house worked closely with director Jonathan Glazer on the grade of the BAFTA and Oscar-nominated film
The AGITO Cine has a larger core, expanded wheelbase and increased ground clearance, and is built to handle heavier camera payloads
Cinematographer Kira Kelly talks to Robert Shepherd about creating the look of Marvel’s latest TV series, Echo
The customisable platform experience enables users to design workflows for their own post production needs
According to Marcus Ryder, CEO of the Film and TV Charity, too many behind the scenes workers are being asked to deal with structural...
The 12-month programme is aimed at developing emerging filmmakers across Scotland and the UK
The new cameras feature the low-light performance, dynamic range, resolutions, high frame rates and form factor of their V-RAPTOR predecessor
Giant is using ERA’s rendering infrastructure on-demand which can be deployed to meet the growing demands of the company's global workforce
Projective’s post production collaboration platform, Strawberry, is being integrated with LucidLink’s remote connectivity solution, enabling users to run their projects in a cloud-first context
Special effects coordinator Brandon K McLaughlin tells David Davies why he didn’t need to be asked twice about working on Martin Scorsese’s latest epic,...
Colourist Simone Grattarola talks to TVBEurope about the process and challenges of grading Netflix's The Kitchen, and the differences between working on an HDR...
Nominations announced for annual BAFTA Film Awards
According to the company, the 360 EVO opens up new shot possibilities for dramas, commercials, and music videos
The new deal sees Picture Shop transition to Avid’s subscription model for storage and includes technology and services across all of its facilities in...
VFX supervisor Dan May tells TVBEurope about the challenge of previsualising the VFX featured in the Doctor Who 60th anniversary special
The annual awards recognise inventors and engineers who have advanced the art and science of motion pictures
The 316-megapixel sensor is almost 7x larger and 40x higher resolution than the full-frame sensors found in high-end commercial cameras
IATSE president Matthew Loeb said the union's members "aren't just going to settle" during upcoming negotiations with the AMPTP
The four dolls are part of the company's Career of the Year Women in Film series
Robert Shepherd meets Vinay Chuphal, VFX supervisor on Indian hit Jaane Jaan, who explains how the team at FutureWorks crafted this record-breaking film
As the production industry continues to ramp up following the Hollywood strikes, TVBEurope looks at some of the key areas where we may see...
The SCENESIS Pictures office includes a CG / VFX open plan area, grading suites, flexi suite, and viewing area
The company has opted for the latest version of the R&S Clipster 6 Mark 2 from Rohde & Schwarz to achieve up to a...
The move into the UK follows the company's expansion into Europe at the start of 2023
Stan Cassio, president at post production services company Mango/NewEdit, explains how it uses Signiant Media Shuttle's fast file transfer service to save time and...
The two students were able to immerse themselves in the lighting crew from the load-in to the load-out, which involved everything from pushing flight...
Painting Practice served as the project's digital art department, delivering concept design, hybrid virtual production previz, post viz, motion graphics and VFX design and...
From 100,000 storyboards to 119 sets and 800 chicken wings, TVBEurope reveals some interesting facts behind the latest film from Aardman
As the award-winning drama comes to an end, Netflix has revealed some facts and figures about its impact on the UK's media industry
Colourists can copy corrections and enhancements made in Face Track to the entire timeline
The work will pave the way for main contractors to move in, with two new 20,000sq ft studios set to be the first to...