‘There’s a lot more acceptance of the cloud and a lot less fear’
Globecast's Ian Redgewell explains how the power of the cloud is leading to a true operational paradigm shift as well as opening up new...
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Globecast's Ian Redgewell explains how the power of the cloud is leading to a true operational paradigm shift as well as opening up new...
NICT, Japan said a further expansion of transmission capacity can be anticipated by combining this technology with multi-band wavelength-division multiplexing technology
All programme promos and idents are generated on Pixel Power systems, including automated trailer production, jointly developed with ITV as Project Phoenix
TV 2 has transitioned from on-premises to cloud infrastructure with the help of AWS, which the broadcaster says has helped its transformation from...
The GPAC Project on Advanced Content is an open source software that provides a modular multimedia framework for packaging, streaming, inspecting and playing content
Almost half of respondents said they have concerns arising from migration or the increased use of cloud services
The companies have integrated their technologies to increase viewer engagement and drive revenue
Cinegy Capture PRO provides the broadcaster with a simple to install, flexible and reliable ingest resource, with shared access for multiple users, said the...
Shows such as Bridgerton, Heartstopper and Top Boy will be digitally preserved for generations to come, said the BFI
The LiveOS solution moves functionalities traditionally found in dedicated hardware devices to software modules, that run on generic IT servers
The researchers transmitted 1.8 Pbit/s, which was carried by the light from one optical source. That corresponds to twice the current global internet traffic
InterDigital will contribute expertise on immersive codecs, including Visual Volumetric Video (V3), Video-based Point Cloud Compression (V-PCC) and MPEG Immersive Video (MIV)
SMPTE ST 2117-1 (VC-6), is a multi-layer coding standard that utilises in-loop AI techniques
James Arnold, chief commercial officer, Red Bee Media, explains why technology and operations streamlined with a media services approach is beneficial for broadcasters
Tedial CTO Julian Fernandez-Campon looks into the term 'cloud-native' and what it means for broadcasters and content owners
Resource management specialist puts together new executive leadership team while launching its new Media Operations Platform
SportsMax has deployed Synamedia's Vivid PowerVu Workflow-as-a-Service for live sports programming in the cloud
The pandemic saw an archive-based goldmine unearthed as broadcasters and streamers digitised content from previous years. According to Lance Podell, senior vice president and...
ContentBay uses emerging technologies to support the "pain points" of the international distribution community
James Shepherd, CTO, InSync Technology, takes a look at how frame rate conversion can help broadcasters meet the ever-growing demand for high-quality content
Ofcom intends to consider any market features that might limit innovation and growth in the sector by making it difficult for other companies to...
The new encoders and decoders are the first of a series of upcoming codecs for flexAI, said the company
Whip Media's platform maps a FAST network’s performance data to both its linear schedules and internal metadata, creating an automated performance tracking solution for...
Russell Trafford-Jones takes a look at the two codecs vying for adoption and how they’re being received by the media industry
TVBEurope sits down with Globecast chairman and CEO Philippe Bernard to discuss the move to cloud, transforming playout, and how the company has moved...
SDVI's Geoff Stedman explains how the cloud is interconnecting players across the supply chain in ways previously thought impossible while also optimising processes and...
New headend-as-a-service aims to simplify content processing for broadcast and OTT networks
The big benefit for the production workflow is that less than four cores of a CPU processor are required to carry out the en-...
ApsaraVideo Live and ApsaraVideo VOD aim to support broadcasters with live broadcast services and video production and management tasks
The Cloud Video Platform will be used to provide a video management platform for centralised ingest, transcoding and processing of live and on-demand video
FR12 is described as the world’s only router with an integrated production switcher, so users can build entire infrastructures around it
New rackmount unit enables broadcasters and content producers to share and receive high-quality, low latency live feeds simultaneously to, and from, global destinations as...
UK regulator Ofcom has made some recommendations to broadcasters so that loss of services are avoided in the future. Raj Patel, VP of sales...
IMES expects to digitise approximately 95,000 tapes over the next three years
Op2mise from Virtual AI is an AI-driven technology that uses algorithms to take a data-driven approach to generating schedules that reflect a channel's characteristics
Solution is part of the company's Aviator platform
The company's Multi-Channel Monitoring (MCM) system has been expanded to include UMD and Tally functions as well as internal timers
Nearly two thirds (63 per cent) of those questioned said that they have already started applying cloud to post-production/file-based production
As open-standards-based IP has come of age as a network protocol for the broadcast, AV and corporate sectors, the emphasis has moved from making...
The Gracenote ID Distribution system is designed improve maximise ROI on TV shows and movies by better managing metadata
Greg Burns, head of media products at Arqiva, explains how a cloud-based interchange can help broadcasters explore new opportunities to diversify their portfolios and...
How Imedia8 helped ALIPH replace its manual processes of archiving images, videos, and data, and move towards a MAM system capable of supporting its...