Bringing D-Day veterans’ memories back to life
In conjunction with the Caen Memorial and Google Cultural Institute, TF1 launched a Google+ Hangout On Air, using a Blackmagic Design live production workflow...
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In conjunction with the Caen Memorial and Google Cultural Institute, TF1 launched a Google+ Hangout On Air, using a Blackmagic Design live production workflow...
Aframe’s David Peto dismisses the myth of cloud chaos and outlines how businesses are harnessing the power of cloud video without compromising IT control.
FeaturesMelanie Dayasena-Lowe met with Geoff Stedman to find out how his experience in start-ups and the storage business has helped him to steer the...
Charlie Vogt sits on the FCC Advisory Council, and is an important member of both the IABM and TIA on the supplier side. He...
Managing growth for one of the key events on the industry’s calendar is the unenviable task that befalls IBC CEO, Michael Crimp, on an...
FeaturesOfcom has published a consultation document detailing various approaches to the enforcement of TV advertising schedules. The consultation is designed to explore the options...
Philip Stevens talks to broadcasters and producers about the unique challenges of children’s programming
Social media provides a powerful platform for content creators and advertising agencies to get closer to their audiences, writes Keith Bedford, managing director at...
As the number of channels and consumer demand for new services continues to grow, there is increased pressure on the cost of operations to...
VideosAlla Salehian, CEO of The International Media Associates (TIMA), explores the impact that technology is having on the media industry, with particular regard to...
TV has gone mobile, thanks to Twitter and Facebook, writes Gareth Capon, CEO of social video company, Grabyo.
In an excerpt from our exclusive Tomorrow’s World feature in the June issue of TVBEurope, Ericsson’s head of TV marketing, Simon Frost, expands on...
Findings from PwC’s recent Entertainment and Media Outlook suggest that advertising and electronic home video will drive growth in the EMEA Television market over...
There was good news for Swedish-based Newstag last week, when the crowd-curated video news service announced it had secured $1.3 million of seed funding.
NewsAt Denmark's The People’s Meeting (Folkemødet), members of each political party, as well as mayors, councillors and government ministers give speeches and take part...
FeaturesThe Farm Group, an international post production company, built its newest facility in Soho, London, it sought a high performance KVM (keyboard, video and...
Philip Stevens talks to the Host Broadcaster about coverage plans – and the impressive training programme that will discover new talent.
NewsSimon Kay, managing director, RRsat, discusses the trends and technologies we can expect at IBC 2014.
NewsDavid Fox goes smaller, faster and higher to find out what’s new in compact cameras for sports, drama, documentary or news use.
FeaturesJames McKeown spoke to Simon Frost, Ericsson's head of TV marketing, about the technology and market forces driving tomorrow’s world.
A lot can change in four years, particularly in the world of sport. 2010 saw over 20 million British viewers tune in to the...
A 30-year veteran of the NAB convention, David Kirk, outlines the most significant presentations at this year’s NAB conference sessions.
SNG, DVB, LNB, OTT, ACM, DRM – for fans of satellite industry three-letter acronyms (TLAs), there was no better place to be than this...
Steve Plunkett, chief technology officer at Red Bee Media, looks at the likely challenges and opportunities of a software-based future for broadcast companies.
The rash of affordable 4K cameras and the ease of set to post workflow will make Ultra HD an attractive origination format for producers,...
As part of our Audio for Broadcast focus, this month’s Forum gathers leaders in the field of sound mixing.
Philip Stevens goes deeper into how second screen technologies are being employed
Broadcasters have always been faced with the challenge to reliably, simply, and economically transport high-quality HD programming from a remote location to the studio...
There may only be a decade between the periods, but the restoration tools and techniques needed to successfully restore content from 1920s and 1930s...
Kevin Shaw, lead technologist at BBC Studios and Post Production Digital Media Services, explores the most valuable thing the industry possesses – its content.
How I Mix Big Rock Sound with Polished Pop Vocals on a MacBook Pro While on the Road with Avril Lavigne. By Jason Decter Greetings!...