Brazil’s O2 Post is installing 80 DaVinci Resolve licenses and three DaVinci Resolves, forming one of the largest DaVinci Resolve workflows in the world.
Deluxe Media has a new audio post production facility in Barcelona, where it will continue to offer a full range of audio post services.
German TV news provider Tagesschau has outfitted its €23.8m new studio with 99 Arri L7-C LED Fresnels, gaining huge cost savings and full colour controllability along the way.
Taking an object-oriented approach to sports audio, a new prototype microphone control system, the Studer Ball Chaser allows broadcast engineers to use a joystick to open the shotgun microphone closest to the action on the playing area, while keeping the other microphones closed.
Streamstar has launched studio workstation streaming system Webcast Prodigy.
Arrow Media has used Aframe as its cloud video platform for the production of factual series Ultimate Airport Dubai, season two.
Axon Digital Design has supplied its first master control system SynMC in the Netherlands to Omroep Zeeland.
Reunion island broadcasting group Antenne Réunion has replaced its channel management software with BCE’s broadcast solutions suite.
Telestream has announced that the latest release of its closed captioning software products, MacCaption (for Mac) and CaptionMaker (for Windows), are ready to meet the new FCC rules requiring the captioning of video clips that are posted online.
Mongolian broadcaster, Mongol TV, has upgraded the PlayBox Technology system at its HQ in the country's capital.
VSN has supplied and installed a unified newsroom system for the Catalonian local audiovisual network La Xarxa, and transferred all the technical equipment to the network’s new headquarters.
Scrub, a division of HHB specialising in post production, has supplied three Avid S6 control surfaces and the latest Pro Tools systems for Smoke & Mirrors’ new London audio department.
Spanish public broadcaster RTVE has installed DIVArchive CSM systems to manage news, post production, and historical archives
AJA's Io 4K device was used to facilitate 4K playback for VFX review on director David Fincher’s Gone Girl
UK post production facility The Look is using the colour management capabilities of LightSpace CMS as part of a new remote grading service being offered direct to production companies and agencies who have their own in-house post production capabilities with Blackmagic’s DaVinci Resolve software.
Merging Technologies’ future 3D panning and mixing engine, to be incorporated in the next release of software for Pyramix and Ovation, will work with Auro-3D creative tools.
Vinten Radamec has supplied a range of its innovative equipment to Sky Italia for a brand new dedicated virtual reality facility
SBS Discovery enlisted Reality Check Systems (RCS) and sports production company Fotball Media to reimagine its on-air image
The KONA 4 desktop video and audio I/O card from AJA Video Systems now supports the latest versions of video applications in Adobe Creative Cloud. Device driver and plug-in software is available as a free download from AJA’s website.
Avid VENUE live sound and Pro Tools audio production solutions, from the Avid Artist Suite and powered by the Avid MediaCentral Platform, are being used to mix and record his concerts for the 59-show tour.