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DPA Microphones selected for the Queen’s Diamond Jubilee River Pageant

4 July 2012
DPA Microphones selected for the Queen’s Diamond Jubilee River Pageant

Danish professional audio manufacturer DPA microphones supplied products such as its DPA 4088 Directional Headset Microphones for the Queen’s Diamond Jubilee River Pageant last month.

The DPA 4088 microphones were used to mike the Royal College of Music Chamber Choir who performed with the London Philharmonic Orchestra on Symphony, the last of 10 Herald music barges taking part in the pageant.

DPA microphones also featured on two of the four music barges equipped by Thames Audio. Thames Audio Director Pete Cox said: “We used DPA microphones on Edwardian, which carried the Academy of Ancient Music who played Händel’s Water Music, and Valulla, which carried 30 musicians from The Band of Her Majesty’s Royal Marines Plymouth, one of the most famous and highly regarded military bands in the world.

“We chose these DPA microphones because they are small, unobtrusive and have a very directional quality, which meant we were able to record the orchestras without picking up too much of the surrounding acoustics. Given that the Academy of Ancient Music musicians were in an acoustically dreadful see-through marquee and the noise from the strong wind and rain, this was a very important point. The microphones were only a few feet from the PA but still gave us plenty of gain before feedback.”

Thames Audio had a total of 14 DPA d:vote 4099 instrument microphones on Edwardian. These were clipped onto the violins and woodwind instruments using DPA’s dedicated instrument clips. On Valulla, Thames Audio used DPA d:vote 4099s with the appropriate clips for the trombones, French horns and cornets. They also used DPA 4060 miniature mics, which were taped onto the clarinets and saxophones and actually mounted on the helmets of the musicians who were playing piccolo. In total 18 DPA microphones were used.

“All of our DPA microphones delivered exceptional results and the damp conditions didn’t daunt them at all,” he added. “The sound quality remained fantastic throughout and we were very pleased with the results we achieved.”
Thames Audio sourced part of its stock of DPA microphones from freelance Sound Engineer Ian Barfoot, who was also recruited to handle the sound mixing on the day.

Barfoot said: “I have a large selection of approximately 70 DPA microphones, all of which were sourced from DPA’s UK distributor Sound Network. I use them for all sorts of concerts, including a lot of Rock and Roll work, because they always perform exactly as they should. They are very forgiving and you can put them through hell and back without having to worry about them. If I don’t have DPA microphones to work with, I tend to throw my toys out of my pram.”

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